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Rock Hardi #51 (2017)
You’re doing wrong (Discos Meteoro)
Nous avons chroniqué le premier album des Suzards dans le numéro précédent, voici un nouveau venu sur la scène Punk 77. Les Lullies comptent en leur sein le chanteur guitariste des Suzards qui passe ici à la basse et au moins deux membres des Gry-Grys (qui étaient eux plus branchés revival 60’s) si j’ai bien compris. Un groupe du sud de la France donc qui pose ici quatre morceaux, Punk Rock fin 70’s énergique et efficace avec des guitares qui ramonent ce qu’il faut dans un esprit Dead Boys/Pagans/Customs. Ils se fendent d’une bonne reprise du « Savage » des Fun Things et feront bonne figure dans un futur « Bloodstains accross France ». Bien joué les gars !
(BDV)
Rock Hardi #52
Les Lullies Don’t look twice EP (Slovenly)
Second EP des montpelliérains énervés avec quatre titres dans la même veine punky que leur single. « Don’t look twice » est une petite bombe power pop à la Tearjerkers. « Don Craine » rend hommage au chanteur de Downliner Sect en guère plus d’une minute de rock’n’roll endiablé. Les deux autres titres sont de la même trempe, du punk rock intemporel avec des solos de guitares nerveux et racés. Les Lullies ont beau faire les sales gosses, on tient peut-être là le meilleur combo punk frenchy depuis les Dogs période Mélodie Massacre !
(RT)
Dig It!
MONTPELLIER'S PUNK FRENCH FRIES ARE BACK ON THE MCMENU
'THE OPPOSITE OF ART IS NOT UGLINESS. IT'S INDIFFERENCE' - BASIL HOLLY
19.10.2017 THINKBABYMUSIC /BY MAJOR TOM
The further a society drifts from the truth, the more it will hate those who speak it. Just ask Socrates, or John Lennon.. both executed for speaking the truth. Today, the P.C. pimps, hoes, B.S. experts, and faux-artists don't want to / or are not allowed to, arouse the slumbering sheeple, for fear of waking them up. The faux-artists don't 'test the limits', because most of them can't. Here's an example, just to add a little perspective.
"My comedy film, 'Blazing Saddles', could NOT get made today!" - Mel Brooks
Any questions ?
If and when an artist does try to 'test the limits', programmed sheeple will hear Pavlov's bell go off.. reinforced by the MSM, or an on campus NGO group. They instantly feel uncomfortable, shocked, triggered, offended, outraged,and have a 19th Nervous Breakdown. Others may align themselves with an artist's ideas, because they know deep down inside, they may have similar viewpoints or feelings. But again, they may be unwilling risk admitting it. Thus, Pete Townshend rightly asks, 'Who the hell are YOU?' And there, is the rub.
"Even before I joined the Pistols, I idolized the Ramones. Even if they do hate us. I don't care." - Sid Vicious
Les Lullies are from Montpellier, France. They're a band that's loved for its Ramones and Dead Boys fueled garage-punk. On November 3rd., Slovenly Recordings releases a new 4 track blast from Les Lullies, who proclaim..., 'the “Don’t Look Twice” EP is Rock’n’Roll, and we wouldn’t have it any other way!'
They’re billed as the finest garage punk band from their local. Fans say their EPs contain the most blistering Franco-fied rock tunes today. I know what you're thinking. Just how 'bad-ass' can this band be? Well, Les Lullies observers say.. 'this is the sound of the kids, and the kids are pissed . But the kids are alright, too. They're kind of like the Hives, but they sound rawer, more stripped down, faster, badder, uglier...with enough punk speed and Stones-ish hooks to make you sway like a coked-up Elvis...like a mouthful of garbage, sand in your eyes, a bumblebee enema.(WTF, homie ? Say...what ?) This is not your parents’ watered-down rock and roll. This is not what the radio wants you to hear. This is not the music your teachers’ tap their toes to when they’re at home, because they’re so bloody square.'
Oh, the irony. Like so many other bands, the Ramones were being ignored in mainstream America, but not in the UK. Positive critical feedback to their debut album and performances, encouraged them to cross over the pond for 'the weekend'. On July 4th,1976, the god-fathers of Punk Rock played their first UK gigs at the Roundhouse in Camden, and Dingwalls.
It was payback time, bitches! It was America's bicentenial,and the Ramones invaded Great Brittian. Overnight, British bands changed speed, stripped down their songs and increased the velocity. Rock'n'Roll would never be the same again. All the future UK punk icons were there... John Lydon, Sid Vicious, Joe Strummer.. the Damned, the Buzzcocks.. the list is endless. As UK Punk Rock was gaining momentum, the Ramones returned for full-on tour in early 1977. The country was Gabba-Gabba-Nuked ! And that's what Les Lullies are going after...
Their OCT. 2017 tour has included Spain, Portugal, France, and Italy.. to win over new fans, and bolster the hype of their new, “Don’t Look Twice” November 3rd. EP release . With tracks like, 'Don't Look Twice', 'Don Craine', 'Bored, Sick, Done', and 'UFO'.. the new 4 track blast is a hyperactive freak scene all its own - What’s happening here is eyeball rattling punk from the dungeons. Each song is a hit: Short, fast, loud, and deadly.
Rock'n'folk
Les Lullies: S/T – album review
Written by Nathan Whittle 11 September, 2018
Montpellier’s Les Lullies crash in with their first full-length on Slovenly Recordings and harness the pure energy of their trash beat-punk live shows in an exhilarating debut LP.
Les Lullies have spent the last year careering around Europe, playing festivals and gigs that have left punters dripping with sweat and yearning for more of their blend of garage beat-punk. And now they can have it whenever they want it, as the band release their debut self-titled full-length album.
Kicking off with the crunching Let It Out, Les Lullies make their mark from the off as they fly into a punk-rattling boogie that rockets along riding a blues-jamming rhythm. The song oozes danger and the double-tracked vocals add a psych touch to the mayhem that slowly unfolds. It’s like New York Dolls at their most visceral, The Who being hammered to pulp by the Pistols. High praise indeed, but if the rest of the album continues in this vein, then a future garage classic just may be on the cards.
And continue it does. Night Klub sounds like The Real Kids ramming a Chuck Berry classic through a battered and ripped speaker and it’s clear from the first two tracks that Les Lullies have settled on their sound. The guitars spit and snarl through a tightly-wound rhythm section that keeps the songs driving forward, while the reverb-laced vocals add to the constant chaos. Like great rock ‘n’ roll should be, Les Lullies sound like they’re about to run off the tracks and derail their rock ‘n’ roll train at any moment, but they just manage to keep a wheel on the ground and the chaos just in check. It’s that feeling that at any minute they’re going to spill over and leave the record in a bloody mess on the floor that keeps you hooked.
With their sound blueprinted, what’s left is to build their gutter-trash shrine and it’s one that in no way settles on uniformity. While the sonics are the same throughout, the band pull in riotous wild-eyed punk rock ‘n’ roll (Don’t Blame You), more Undertones punk-pop inflections (Supermarket), powerpop grooves and chimes (Meet The Man), and, of course, that good old blues-jiving rhythm (7am). Album closer, Stanger To Myself, relents slightly to show that the band are capable of something slightly more subtle in their songwriting. The result sounds like The Clash’s Spanish Bombs filtered through The Jetz’ Catch Me. A definite signpost to where these four could go and one that will be waited for with bated breathe.
For Les Lullies, novelty and innovation are certainly not the order of the day on this debut album, but rather the pure and unadulterated desire bring good time rollicking punk rock to the dives and digs across Europe and beyond, and they certainly do. In the end, they’ve recorded a fantastic debut album, one that should be spun again and again and again.
https://louderthanwar.com/les-lullies-st-album-review/